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Tag Archives: Michael Jackson
An Interview with Brice Najar
Abstract: This interview is part of our ongoing coverage of unique and dynamic academics covering Michael Jackson in educational establishments and institutions worldwide. In it, author Brice Najar discusses the books he wrote on Michael Jackson, especially his last on Let’s Make HIStory REFERENCE AS: Najar, Brice. “An Interview with Brice Najar.” Interview, The Journal of Michael Jackson Academic […]
MJ Studies Today XII
Abstract: In the December column, Kerry Hennigan examines Michael Jackson’s fascination for the film noir genre. Column by Kerry Hennigan, editor of the monthly newsletter, A Candle for Michael, and administrator of the widely-subscribed Facebook group, Michael Jackson’s Short Film ‘Ghosts. REFERENCE AS: Hennigan, Kerry. “MJ Studies Today XII (14-12-16).” The Journal of Michael Jackson Academic Studies 3, no. […]
MJ Studies Today XI
Abstract: In the November column, Kerry Hennigan examines the ‘why’ of the life and work of Michael Jackson. Column by Kerry Hennigan, editor of the monthly newsletter, A Candle for Michael, and administrator of the widely-subscribed Facebook group, Michael Jackson’s Short Film ‘Ghosts. REFERENCE AS: Hennigan, Kerry. “MJ Studies Today XI (14-11-16).” The Journal of Michael Jackson Academic Studies 3, […]
Episode 19 – Celebrating Dangerous 25: Michael Jackson’s ‘Dancing the Dream’
Abstract: This episode is a celebration of Michael Jackson’s 1991 album, Dangerous, which has its 25th anniversary this month. Karin, Elizabeth, and special guest, author Andy Healy discuss Michael Jackson’s 1992 publication, Dancing the Dream: Poems & Reflections. The three researchers draw new conclusions inspired by the chapter, ‘On Michael Jackson’s Dancing the Dream‘ in Elizabeth’s Dangerous Philosophies of Michael Jackson, […]
“Who’s Bad?” Disrupting Cultural (Re)Production Through Representations of Michael Jackson
Abstract: The dynamic process of producing and consuming commodities shapes not only individuals but also their relations with each other and their societies. Although popular culture theorists have often attributed to popular music the effect of securing the consent of subordinated people for their own domination, Michael Jackson’s pop music has the opposite effect: it […]

