Home » Posts tagged 'Brice Najar'

Tag Archives: Brice Najar

Subscribe to our Podcast

How is MJAS different from a fan-site or fanzine?

We deliver primarily academic research-based content and we also provide resources for academics and teachers. We archive online content so that we can deliver researchers a referencing service. We are impartial and are not affiliated with any institution. Therefore we remain objective and balanced in our content. We provide content of a diversity which gives us perspectives of all kinds and makes very clear that we can study Michael Jackson from a wide variety of subject specialisms, from Popular Culture and Literature to African-American Heritage.

What Services Do You Provide?

We provide a very diverse range of content, including a monthly academic podcast, essays, opinion pieces, editorials, journal issues and volumes, resources, detailed academic book reviews, exclusive authorial interviewsa monthly column which updates readers on the world of Michael Jackson Studies, which is the only one of its kind. We also provide much-needed academic publications on Michael Jackson’s artistry.

MJ Studies Today CXIII

Abstract: This month, MJ Studies Today columnist Kerry Hennigan considers the importance of Michael Jackson’s song “Stranger In Moscow” in the context of what happened to the artist that prompted him to write agonising lyrics like “Armageddon of the brain” and “here abandoned in my fame.” At a time in his life when he was […]

Continue Reading →

MJ Studies Today LXXXV

MJ Studies Today columnist Kerry Hennigan has written an informal essay about her personal reflections on the Thriller album, along with some of the Disc 2 “extras” from the 40th anniversary edition. #Thriller40 Continue reading

Continue Reading →

MJ Studies Today LXIV

MJ Studies Today, April 2021 continues the discussion of Brice Najar’s publication Book on the Dance Floor: Let’s Make HIStory in the Mix which was previously the subject of our February 2021 column. In his book, Najar interviews numerous Michael Jackson collaborators on the King of Pop’s “Blood on the Dance Floor” remix album and brings to light little-known details of Jackson at work in the studio, on his “Ghosts” short film, and on tour. Continue reading

Continue Reading →

Episode 46 – Xscape

Abstract In this special, Elizabeth and Karin have Brice Najar as a guest. They discuss the album Xscape on various levels. A discussion about Copyright, the integrity to finish the art of an artist, and if so do you put it out as an original Michael Jackson or not and much more. In this lovely, […]

Continue Reading →

MJ Studies Today LXII

This month’s MJ Studies Today column looks at the making of Michael Jackson’s album “Blood on the Dance Floor” as explored in the recently released book by Brice Najar, titled “Book on the Dance Floor: Let’s Make HIStory in the Mix”. The focus here is on some of the album’s newly recorded and previously unreleased songs that are too often neglected by music critics when discussing Jackson’s catalogue. Najar’s meetings and interviews with some key personnel involved in these recordings afford greater appreciation of these unique tracks, more of which will be addressed in a Part 2 article at a later date. Continue reading

Continue Reading →

MJ Studies Today XLVI

ABSTRACT: In this month’s MJ Studies Today column, Kerry Hennigan looks at the work of Michael Jackson as explored in the newly revised edition of Joseph Vogel’s book “Man in the Music” (2019) and Brice Najar’s “Let’s make HIStory” (2016) and considers how the examination of Jackson’s artistic output and his creative processes can tell […]

Continue Reading →

An Interview with Brice Najar

Abstract: This interview is part of our ongoing coverage of unique and dynamic academics covering Michael Jackson in educational establishments and institutions worldwide. In it, author Brice Najar discusses the books he wrote on Michael Jackson, especially his last on Let’s Make HIStory REFERENCE AS:  Najar, Brice. “An Interview with Brice Najar.” Interview, The Journal of Michael Jackson Academic […]

Continue Reading →

No AI Indexing or Training

All content on this site/journal is protected intellectual property.
Use of text, images, or multimedia to train artificial intelligence, scrape, or extract data without explicit permission is strictly prohibited.
For inquiries or licensing, contact: [[email protected]]

Mission Statement

Michael Jackson Academic Studies (MJAS) is dedicated to the rigorous, interdisciplinary study of Michael Jackson’s work as a unified aesthetic system. Grounded in art history, visual culture, musicology, dance studies, early modern studies and film theory, MJAS approaches Jackson not as a biographical problem to be defended or debunked, but as a major late-20th-century artist whose work reshaped the relationship between sound, image, body, and mass media.

The journal foregrounds form, lineage, and reception history, situating Jackson within global artistic traditions, from classical European aesthetics and Black diasporic performance to postmodern visual culture. By refusing reductive moral binaries and sensationalist framings, MJAS provides a scholarly space in which Jackson’s art can be interpreted with the seriousness routinely afforded to canonical figures.

Our aim is not rehabilitation, but understanding: to examine how Jackson’s work functions, why it mattered, and what it reveals about race, embodiment, modernity, and the aesthetics of popular culture.

What is The Journal of Michael Jackson Academic Studies?

An academic, scholarly journal, which is peer-reviewed, in which academic writing and scholarship relating to Michael Jackson can be accessed. Academic journals are one of the most wonderful ways to share academic criticism and research with interested parties. This research is presented as books, courses, events, essays, teaching resources, columns, articles, book reviews, academic podcasts and original research. In addition, we publish author interviews.

Why Michael Jackson?

It is a little-known fact that academic, well-researched “books on Elvis Presley alone outnumber titles on Chuck Berry, Aretha Franklin, James Brown, Ray Charles, Marvin Gaye, Stevie Wonder, andMichael Jackson combined”. (Vogel, Man in the Music). Whereas an artist like Michael Jackson is incredibly visible through the media and tabloid coverage, research on his art remains comparatively small. If this continues Michael Jackson’s contributions could be written out of history in just a few decades. Therefore, this journal nurtures, fosters, protects, preserves and grows the vital research and recognition of his work.

Who are the Editors?

The Journal of Michael Jackson Academic Studies has three editors: Kerry Hennigan, Elizabeth Amisu and Karin Merx.

Where does your content come from?

Our content comes from academics and researchers around the world who wish to professionally publish their work. A list of all of our contributors can be found here.

Why do you have a Podcast

Podcasts are a fantastic way of getting academic ideas around Michael Jackson into the public sphere in a way that is easily accessible to listeners. Presented by the journal’s editors, it is the world’s first academic podcast which solely discusses the art of Michael Jackson as well as the broader contexts in which his music, performance and short films were created and received. Each podcast is filled to the brim with academic insights, a plethora of references from a range of academic disciplines, humor and a great deal of discussion, taking Michael Jackson’s work and the study of its reception to new heights.
MichaelJackson’s Dream Lives On: An Academic Conversation is our official, original monthly/fortnightly academic podcast which focuses on the life, art and creative work of Michael Jackson. Recently, featured on the iTunes ‘New and Noteworthy’ lists, Michael Jackson’s Dream Lives On: An Academic Conversation is the world’s foremost podcast on Michael Jackson in academic studies. It is available via iTunesAndroidEmailRSS, and StitcherListen here.