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Susan Fast: Michael Jackson’s ‘Dangerous’ Album – Kapitel ‘Soul’-‘Seele’
This chapter, 'Soul' from the book,
‘Dangerous’ von Dr. Susan Fast
German translation Ilke, all4michael.com
Dangerous ist ein Muss für jeden Fan, Nicht-Fan oder Kritiker von Michael Jackson und auch für jeden Musikliebhaber. Dr. Susan Fast hat Michael Jacksons Album von 1991 mit Akribie auf eine Art untersucht, wie es noch nie zuvor getan wurde, und indem sie dies tut, befördert sie Jackson dahin zurück, wo er hingehört: Ins Rampenlicht als der hochtalentierte schwarze Musiker und Künstler, der er war … und gefährlich war er auch (dangerous)!
Das Buch bringt den Leser außerdem dazu, die Musik wieder (neu) zu hören und die Short Films wieder und wieder ansehen zu wollen.
Continue readingRecensione Accademico libro “Dangerous”
“Dangerous” è una lettura imperdibile per i fan di Michael Jackson, i non-appassionati, critici o amanti della musica. La Dr. Susan Fast meticolosamente ha studiato l’album del 1991 di Michael Jackson in un modo che non è mai stato fatto prima, così lei ha restituito a Jackson il suo posto d’onore: come artista e musicista nero di grande talento, che è stato… ed era pericoloso. Il libro stimola anche ad ascoltare la musica e rivedere i cortometraggi più e più volte.
Continue reading‘Crack Music’: Michael Jackson’s ‘Invincible’
‘Crack Music’: Michael Jackson’s InvincibleBy Elizabeth Amisu Inspired by the chapter, ‘Invincible, The Denouement Album’ from The Dangerous Philosophies of Michael Jackson by Elizabeth Amisu (Praeger, 2016). Abstract: Little academic writing has been devoted to Michael Jackson’s final studio album, Invincible. This article explores Invincible through Kanye West’s metaphor of Crack Music from the 2005 album, Late Registration and places it in the context […]
‘Hee hee hee’: Michael Jackson and the Transgendered Erotics of Voice
‘Throats are part of the erotic act, commanding, whispering, swallowing. Through his cries, whispers, groans, whines, and grunts. Michael Jackson occupies a third space of gender.’ Francesca Royster explores the sexualisation of Jackson’s voice throughout his earlier solo works, 'Off The Wall', 'Thriller' and 'Bad' while contextualising his voice within the wider concept of African-American sexuality and its representation.
Continue reading“Heard It On The Grapevine”: Are We Losing Michael Jackson All Over Again?
Abstract: This article was written to commemorate Michael Jackson’s 56th birthday. From the German fortress of Ehbreitstein to the ancient city of Trier and beyond) there is a meandering valley called the Mosel which hosts some of the most beautiful vineyards in the world. Reisling grapevines are draped over doors and along winding streets. This article is […]
‘The Isle is Full of Noises’: Revisiting the Peter Pan of Pop
Abstract: The artist, Michael Jackson has oft been given the epithet, Peter Pan of Pop, however, this article presents his association with fictional characters as far more complex. It also discusses Jackson’s parallels with Shakespeare’s Ariel and the authors, F. Scott Fitzgerald and Oscar Wilde. This article is also available in German via this link: http://michaeljacksonstudies.org/die-insel-ist-voller-gerausche-erneuter-besuch-beim-peter-pan-des-pop/. Essay by Elizabeth Amisu, […]
Raven Woods – Langston Hughes’s “The Negro Artist and the Racial Mountain” (1926)
Placed with permission of the author Raven Woods
In 1926, poet and essayist Langston Hughes wrote a short but stirring piece that became a manifesto for the Harlem Renaissance, the great cultural movement that brought Black art, culture, and music to prominence in American society. Last spring, when I assigned this essay to one of my American Lit classes, it occurred to me that much of what Hughes wrote in 1926 could also apply to many of the trials and tribulations that Michael Jackson would endure as an African-American artist more than sixty years later. Here is Langston Hughes's essay. The sections that are highlighted are my emphasis, as these are important points that I will return to later when addressing the essay's relevance to Michael Jackson:
Continue readingConstance Pierce – Privacy: Michael Jackson and J.D. Salinger
Abstract: Michael Joseph Jackson was a ritual healer whose charismatic presence magnetized and unified millions of souls for good through his global performances. In this opinion piece academic and artist, Constance Pierce, discusses the myriad connections between Michael Jackson, J.D. Salinger and the notion of privacy. Constance Pierce is a visual artist especially interested in the import […]
Constance Pierce’s Drawing Series: ‘Will You Be There’
Abstract: Constance Pierce’s “Will You Be There,” are a series of art works originally displayed in the international exhibition “Art on Paper 2010” at the Museum of Art in Aichi, Japan. This series has since been featured in three solo exhibitions: the Harlan Gallery of Seton Hill University of Pennsylvania, the Clara Fritzsche Gallery of Notre […]

