Home » Academia (Page 2)
Category Archives: Academia
Episode 73 – 7 Years The Dangerous Philosophies Of Michael Jackson
Abstract: 7 Years ago, Elizabeth Amisu published her textbook The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. In episode 73, Karin asks Elizabeth questions about the book, and she looks back on several chapters with Elizabeth. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 73 – ‘7 Years The […]
Episode 58 – His Beauteous Race
Abstract: In this episode, Karin and Elizabeth discuss the last essay in the Nakan Journal: The Cultural Inheritance of Michael Jackson: reading the Performance of High-Status Blackness in Video and on Stage by Elizabeth Amisu. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 58 –His Beauteous Race” Podcast, Michael Jackson’s Dream Lives On: An Academic […]
Episode 53 – Review of the MA thesis of Kelly O’Riley
Abstract In episode 53, Karin and Elizabeth Discuss and review the MA thesis, recently published in the Journal, The Hagiography and teratology and the HIStory of Michael Jackson. They simultaneously talk about biographies and what they should entail for academics, but also how critical readers need to be when reading them. REFERENCE AS: Merx, Karin, […]
MA Thesis by Kelly M. O’Riley
HAGIOGRAPHY, TERATOLOGY, AND THE “HISTORY” OF MICHAEL JACKSONbyKELLY M. O’RILEY Under the Direction of Isaac Weiner ABSTRACT Before his death, Michael Jackson was arguably one of the most famous living celebrities to walk the planet. Onstage, on-air, and onscreen, he captivated the attention of millions of people around the world, whether because they loved him […]
“Leave me alone, I need my privacy” – An Analysis of Michael Jackson’s ‘Media-Critical’ Songs
Abstract: With the release of Off The Wall and Thriller, the best-selling album in the entire history of music, Michael Jackson made history as the most successful entertainer of all time. MJ broke record after record and achieved worldwide fame that has been unparalleled so far. Nevertheless, for a long time, Michael Jacksons creative works have […]
CHAPTER 6 – “I DON’T KNOW” BODIES DISRUPTING CULTURAL REPRODUCTION
Jackson ends the Bad album the same way he commenced it: with a question. In the same way that it is impossible to answer the question “Who’s Bad?” in any definitive way, the final question leaves us profoundly unsure. “Are you okay?” is sung dozens of times in the song “Smooth Criminal,” and the information […]
“Who’s Bad?” Disrupting Cultural (Re)Production Through Representations of Michael Jackson
Abstract: The dynamic process of producing and consuming commodities shapes not only individuals but also their relations with each other and their societies. Although popular culture theorists have often attributed to popular music the effect of securing the consent of subordinated people for their own domination, Michael Jackson’s pop music has the opposite effect: it […]
CHAPTER 3 – “EXACTLY WHICH MICHAEL JACKSON ARE WE TALKING ABOUT ANYWAY?” AGENCY AND IDENTITY IN BAD
Songs: “The Way You Make Me Feel,” “Speed Demon,” “Liberian Girl” The next three songs introduce the more specific normative constructs of gender, identity, and agency and go beyond troubling or disrupting them the way “Bad” did. They envision alternatives to hegemonic constructs and playfully experiment with different answers to questions such as these: What […]
CHAPTER 5 – DOUBLE ENTENDRE: THE MAN AND THE MEDIA
Songs: “I Just Can’t Stop Loving You,” “Dirty Diana,” “Leave Me Alone” Michael Jackson’s post-Bad career was very explicitly about redefining, questioning, subverting, and casting a critical eye on cultural assumptions (as Susan Fast documents in Dangerous). But he started these challenges on Bad. Hegemony has never been keen on admitting defeat, though, and the […]

