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CHAPTER 3 – “EXACTLY WHICH MICHAEL JACKSON ARE WE TALKING ABOUT ANYWAY?” AGENCY AND IDENTITY IN BAD
Songs: “The Way You Make Me Feel,” “Speed Demon,” “Liberian Girl” The next three songs introduce the more specific normative constructs of gender, identity, and agency and go beyond troubling or disrupting them the way “Bad” did. They envision alternatives to hegemonic constructs and playfully experiment with different answers to questions such as these: What […]
CHAPTER 5 – DOUBLE ENTENDRE: THE MAN AND THE MEDIA
Songs: “I Just Can’t Stop Loving You,” “Dirty Diana,” “Leave Me Alone” Michael Jackson’s post-Bad career was very explicitly about redefining, questioning, subverting, and casting a critical eye on cultural assumptions (as Susan Fast documents in Dangerous). But he started these challenges on Bad. Hegemony has never been keen on admitting defeat, though, and the […]
CHAPTER 4 – “THERE IS NO DANGER” SANITIZING BAD AUTHORSHIP
Songs: “Just Good Friends,” “Man in the Mirror,” “Another Part of Me” (Captain EO) At the end of the last chapter, I hypothesized that hegemonic representations of Michael Jackson would generally aver their own authenticity in some way, while counter-hegemonic ones would disrupt any notion of fixity or permanence, even within themselves. This chapter explores […]
APPENDIX A: LIST OF SOURCES FOR SONGS AND VIDEOS
Sources for Songs and Videos: Songs: Jackson, Michael. Bad. Epic Records, 1987. CD. All songs used. Jackson, Michael and John Barnes. “We Are Here to Change the World.” Michael Jackson: The Ultimate Collection. MJJ Productions, 2004. CD. Videos: “Bad,” dir. Martin Scorsese. Part 1: Gentili, Kelly. “Michael Jackson Bad Part 1.” YouTube video. YouTube.com. 12 […]
CHAPTER 1 – INTRODUCTION: LOCATING BAD’S PLACE IN POP CULTURE AND POP CULTURE’S PLACE IN SOCIETY
“I love to create magic—to put something together that’s so unusual, so unexpected that it blows people’s heads off. Something ahead of the times.” (Michael Jackson to Interview Magazine, October 1982). As you walk down the aisle at a record store, you spot a copy of Michael Jackson’s Bad. What strikes you about it? It […]
REFERENCES
Adorno, Theodor. “On Popular Music.” Storey Reader 73-84. Albrecht, Michael Mario. “Dead Man in the Mirror: The Performative Aspects of Michael Jackson’s Posthumous Body.” Journal of Popular Culture. 46.4 (2013): 705-724. Web. Althusser, Louis. “Ideology and Ideological State Apparatuses.” Storey Reader 336-346. “Bad, adj., n.2, and adv.” Oxford English Dictionary. Web. 5 Nov. 2015. Barthes, […]
CHAPTER 2 – THE COUNTER-HEGEMONIC COMMODITY: A “BAD” SOLUTION TO THE HEGEMONY PROBLEM
Michael Jackson doesn’t fit neatly into the role of producer, since we consume not only the music he makes but also him and his performances. This signals that a more comprehensive model than the two presented in the introduction must be constructed to better understand the way he and his music affect cultural reproduction. Stuart […]
‚Die Insel ist voller Geräusche‘: Erneuter Besuch beim „Peter Pan des Pop“
Abstract: Der Künstler, Michael Jackson hat oft den Beinamen gegeben worden ist, Peter Pan von Pop, aber dieser Artikel stellt seine Verbindung mit fiktiven Charakteren als weitaus komplexer. Es behandelt auch Jacksons Parallelen zu Shakespeares Ariel und die Autoren, F. Scott Fitzgerald und Oscar Wilde. Dieser Artikel ist auch in Deutsc über diesen Link verfügbar: http://michaeljacksonstudies.org/elizabeth-amisu-the-isle-is-full-of-noises-revisiting-the-peter-pan-of-pop-2/. Essay by Elizabeth […]
¿Estamos perdiendo a Michael Jackson de nuevo?
Abstract: Este artículo fue escrito para conmemorar 56 cumpleaños de Michael Jackson. Desde la fortaleza alemana de Ehbreitstein a la antigua ciudad de Trier y más allá) hay un hermoso valle llamado el Mosela, que alberga algunos de los más bellos viñedos del mundo. vides reisling están cubiertas sobre las puertas y en las calles […]
‘Crack Music’: Michael Jackson’s ‘Invincible’
‘Crack Music’: Michael Jackson’s InvincibleBy Elizabeth Amisu Inspired by the chapter, ‘Invincible, The Denouement Album’ from The Dangerous Philosophies of Michael Jackson by Elizabeth Amisu (Praeger, 2016). Abstract: Little academic writing has been devoted to Michael Jackson’s final studio album, Invincible. This article explores Invincible through Kanye West’s metaphor of Crack Music from the 2005 album, Late Registration and places it in the context […]

