Abstract: In this eighth episode, an MJAS Exclusive, Elizabeth and Karin are joined by guests, fellow academics, Lisha McDuff and Roberta Meek, to discuss Michael Jackson’s art, resonance and cultural impact alongside the late musician, Prince. In the first of two podcast episodes, we delve into facets of Jackson and Prince that you may never have thought of before, offering new perspectives on their careers and their posthumous reception.
Merx, Karin, Elizabeth Amisu, Roberta Meek, and Lisha McDuff. “Episode 8 – MJAS Exclusive: Michael Jackson & Prince Part I (with Lisha Mcduff & Roberta Meek).” Podcast, Michael Jackson’s Dream Lives On: An Academic Conversation2, no. 3 (2016). Published electronically 28/05/16. http://michaeljacksonstudies.org/episode-8-28516-mjas-exclusive-michael-jackson-prince-part-i/.
The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.”
Episode 8 – MJAS Exclusive: Michael Jackson & Prince Part I
By Karin Merx, Elizabeth Amisu, Lisha McDuff and Roberta Meek
‘When you have a great artist they are going to fool you every time. They are going to take whatever you give them and they’re going to make art out of it.’
– Lisha McDuff
‘Prince is the epitome of cool, from the 1980s on, for black audiences, for black male audiences… This is not a dependency on a crossover. This is not a dependency on a white mass audience… Prince like Michael was sexually appealing to anybody and everybody on the gender spectrum on any level…’
– Roberta Meek
1. Do you find significance in the fact that Michael Jackson died at 50 and Prince died at 57?
2. We have a lot of comparative discussions about MJ. How helpful or unhelpful do you think these comparisons are
3. Does the tendency to compare African-American artists tell us about how they are perceived by the establishment.
4. 1987’s Bad was intended as a duet between MJ & Prince. What are your thoughts on that?
5. Let’s discuss MJ & Prince difficulties with their record labels. How do you think this affected artistic output of their careers?
Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam’. Find out more about Karin here.
Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife.
Lisha McDuff is a classically trained professional musician with an MA in Popular Music Studies from the University of Liverpool. She is currently continuing her research at McMaster University, focusing on the art of Michael Jackson. She is the co-presenter of the acclaimed academic blog, Dancing with the Elephant: Conversations about Michael Jackson, His Art and Social Change. Find out more about Lisha here.
Roberta Meek is a full-time lecturer at Muhlenberg College. A historian trained at Temple University, she specializes in African American history and the history of race and social movements in the US context. In Fall 2015, she was able to put both her scholarly expertise and knowledge to work in teaching a First Year Seminar on Michael Jackson. Find out more about Roberta here.