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MJ Studies Today CXXII
Abstract: Joseph Vogel, an author well-known to Michael Jackson researchers, has produced a new book focused on the short film for Jackson’s song “Black or White.” The television premiere of the film (a.k.a. music video) in November 1991, brought howls of protests from those viewers who could not understand the “panther dance” coda. MJ Studies […]
MJ Studies Today CXXI
Abstract: This month, MJ Studies Today columnist Kerry Hennigan provides a personal view of the recently upgraded version of Michael Jackson’s short film for the song “Give In To Me.” Jackson’s 1991 album Dangerous provided a wealth of material ranging from the understated anthem “Heal the World” to undeniably sensual songs like “In the Closet” […]
MJ Studies Today CXX
Abstract: This month Kerry Hennigan continues the discussion on artificial intelligence (A.I.) and its relationship to Michael Jackson’s artistic legacy. This important theme began with Karin Merx’s article “Echoes Without Presence: AI, Michael Jackson, and the Crisis of Cultural Authenticity” published here in the Journal of Michael Jackson Academic Studies on 18 November 2025 and […]
MJ Studies Today CXIX
Abstract: This month’s MJ Studies Today continues the Halloween theme from last month. Columnist Kerry Hennigan considers the impact of the annual #ThrillerChallenge organised by Michael Jackson fans to redress what they consider a major deficiency in Billboard’s top singles chart: to get the “Thriller” single to number one across multiple formats and charts. Column […]
MJ Studies Today CXVIII
Abstract: This month, MJ Studies Today columnist Kerry Hennigan looks back on events she attended in past years at which Michael Jackson’s contributions to the Halloween season were celebrated. From Hollywood to Los Olivos, and all over the world, fans have enjoyed the annual reminder that Jackson is not only the King of Pop, but […]
“Who’s Bad?” Disrupting Cultural (Re)Production Through Representations of Michael Jackson
Abstract: The dynamic process of producing and consuming commodities shapes not only individuals but also their relations with each other and their societies. Although popular culture theorists have often attributed to popular music the effect of securing the consent of subordinated people for their own domination, Michael Jackson’s pop music has the opposite effect: it […]
‘Hee hee hee’: Michael Jackson and the Transgendered Erotics of Voice
‘Throats are part of the erotic act, commanding, whispering, swallowing. Through his cries, whispers, groans, whines, and grunts. Michael Jackson occupies a third space of gender.’ Francesca Royster explores the sexualisation of Jackson’s voice throughout his earlier solo works, 'Off The Wall', 'Thriller' and 'Bad' while contextualising his voice within the wider concept of African-American sexuality and its representation.
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