MJ Studies Today XLI

Abstract:  This month we look at Michael Jackson’s iconic single white glove and how its wearer made it an enduring pop culture artefact that is referenced in connection to Michael even in 2019. Kerry Hennigan examines Michael’s reasons for wearing the glove in the early Read More …

“Who’s Bad?” Disrupting Cultural (Re)Production Through Representations of Michael Jackson

Abstract: The dynamic process of producing and consuming commodities shapes not only individuals but also their relations with each other and their societies. Although popular culture theorists have often attributed to popular music the effect of securing the consent of subordinated people for their own Read More …

‘Hee hee hee’: Michael Jackson and the Transgendered Erotics of Voice

‘Throats are part of the erotic act, commanding, whispering, swallowing. Through his cries, whispers, groans, whines, and grunts. Michael Jackson occupies a third space of gender.’ Francesca Royster explores the sexualisation of Jackson’s voice throughout his earlier solo works, ‘Off The Wall’, ‘Thriller’ and ‘Bad’ while contextualising his voice within the wider concept of African-American sexuality and its representation.

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