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Echoes Without Presence: AI, Michael Jackson, and the Crisis of Cultural Authenticity
Abstract This essay investigates how artificial intelligence reshapes the legacy of Michael Jackson by analysing the growing proliferation of AI-generated simulations, deepfake vocals, reconstructed short films, and algorithmic “enhancements” through an interdisciplinary lens that combines postmodern semiotics, neuroscience, narratology, and embodied artistic practice. Although Jackson’s creative process was rooted in intuition, bodily intelligence, and whole-brain […]
Episode 76 – Wannabe Startin’ Somethin’
In episode 76, Karin and Elizabeth discuss the essay “Wannabe Startin’ Somethin’: Michael Jackson’s Critical Race Representation” by Dawn-Elissa Fischer, Professor at the San Francisco State University where she teaches courses on black popular culture, information technology and virtual ethnography. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 76 – ‘Wannabe Startin’ Somethin’’, Michael Jackson’s Dream Lives […]
‘Crack Music’: Michael Jackson’s ‘Invincible’
‘Crack Music’: Michael Jackson’s InvincibleBy Elizabeth Amisu Inspired by the chapter, ‘Invincible, The Denouement Album’ from The Dangerous Philosophies of Michael Jackson by Elizabeth Amisu (Praeger, 2016). Abstract: Little academic writing has been devoted to Michael Jackson’s final studio album, Invincible. This article explores Invincible through Kanye West’s metaphor of Crack Music from the 2005 album, Late Registration and places it in the context […]
‘Hee hee hee’: Michael Jackson and the Transgendered Erotics of Voice
‘Throats are part of the erotic act, commanding, whispering, swallowing. Through his cries, whispers, groans, whines, and grunts. Michael Jackson occupies a third space of gender.’ Francesca Royster explores the sexualisation of Jackson’s voice throughout his earlier solo works, 'Off The Wall', 'Thriller' and 'Bad' while contextualising his voice within the wider concept of African-American sexuality and its representation.
Continue readingRaven Woods – Langston Hughes’s “The Negro Artist and the Racial Mountain” (1926)
Placed with permission of the author Raven Woods
In 1926, poet and essayist Langston Hughes wrote a short but stirring piece that became a manifesto for the Harlem Renaissance, the great cultural movement that brought Black art, culture, and music to prominence in American society. Last spring, when I assigned this essay to one of my American Lit classes, it occurred to me that much of what Hughes wrote in 1926 could also apply to many of the trials and tribulations that Michael Jackson would endure as an African-American artist more than sixty years later. Here is Langston Hughes's essay. The sections that are highlighted are my emphasis, as these are important points that I will return to later when addressing the essay's relevance to Michael Jackson:
Continue readingOn Michael Jackson’s ‘Dancing the Dream’
Abstract: Michael Jackson’s words were disseminated in liner notes, magazines and even a blog. His first published book was a 1988 autobiography, Moonwalk; the second, a children’s storybook based on Moonwalker (dir. Jerry Kramer, 1988) and the last, a 1992 publication called Dancing the Dream. ‘On Michael Jackson’s Dancing the Dream’ contextualises this collection of ‘poems and reflections’ within its author’s […]

