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MJ Studies Today CXXIII
Abstract: The official Michael Jackson Broadway musical, MJ: the Musical recently celebrated its 4th anniversary at the Neil Simon Theatre in New York City. Since its premier, there has been a North American touring production, a London production and a German production in Hamburg. MJ Studies Today columnist Kerry Hennigan finally caught up with the show […]
MJ Studies Today CXIII
Abstract: This month, MJ Studies Today columnist Kerry Hennigan considers the importance of Michael Jackson’s song “Stranger In Moscow” in the context of what happened to the artist that prompted him to write agonising lyrics like “Armageddon of the brain” and “here abandoned in my fame.” At a time in his life when he was […]
MJ Studies Today CX
Extract: In this month’s MJ Studies Today column, Kerry Hennigan looks at a song that is a personal favourite – “Who Is It” from Michael Jackson’s Dangerous album. Both the song and the short film are considered in the context of their content and the similarities between the betrayed protagonist and Jackson himself in the […]
Episode 45 – Stranger in Moscow
Abstract In this episode, Karin and Elizabeth discuss Stranger in Moscow, the meaning and the symbols in the short film and the lyrics. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 45 – Stranger in Moscow ” Michael Jackson’s Dream Lives On: An Academic Conversation 7, no. 4 (2021). Published electronically 21/03/21. https://michaeljacksonstudies.org/past-prsent-future-book-4/ The Journal of Michael […]
MJ Studies Today XXXV
Abstract: In this month’s column, Kerry Hennigan discusses the importance of remembering to listen to Michael Jackson’s music and watch his videos purely as a fan rather than as a researcher or academic. She suggests that, with no specific agenda in mind, we are better able to enjoy the work and absorb the messages Michael […]
From Throne to Wilderness: Michael Jackson’s ‘Stranger in Moscow’ and the Foucauldian Outlaw
In 1993, a horde of Californian ‘police and prosecutors spent millions of dollars to create a case whose foundation never existed’.1 Their fruitless efforts were to incriminate Michael Jackson, a black artist who was the most commercially successful in the world. Jackson, who was in Russia on his

