CHAPTER 3 – “EXACTLY WHICH MICHAEL JACKSON ARE WE TALKING ABOUT ANYWAY?” AGENCY AND IDENTITY IN BAD

Songs: “The Way You Make Me Feel,” “Speed Demon,” “Liberian Girl” The next three songs introduce the more specific normative constructs of gender, identity, and agency and go beyond troubling or disrupting them the way “Bad” did. They envision alternatives to hegemonic constructs and playfully Read More …

CHAPTER 5 – DOUBLE ENTENDRE: THE MAN AND THE MEDIA

Songs: “I Just Can’t Stop Loving You,” “Dirty Diana,” “Leave Me Alone” Michael Jackson’s post-Bad career was very explicitly about redefining, questioning, subverting, and casting a critical eye on cultural assumptions (as Susan Fast documents in Dangerous). But he started these challenges on Bad. Hegemony Read More …

CHAPTER 4 – “THERE IS NO DANGER” SANITIZING BAD AUTHORSHIP

Songs: “Just Good Friends,” “Man in the Mirror,” “Another Part of Me” (Captain EO) At the end of the last chapter, I hypothesized that hegemonic representations of Michael Jackson would generally aver their own authenticity in some way, while counter-hegemonic ones would disrupt any notion Read More …

APPENDIX A: LIST OF SOURCES FOR SONGS AND VIDEOS

Sources for Songs and Videos: Songs: Jackson, Michael. Bad. Epic Records, 1987. CD. All songs used. Jackson, Michael and John Barnes. “We Are Here to Change the World.” Michael Jackson: The Ultimate Collection. MJJ Productions, 2004. CD. Videos: “Bad,” dir. Martin Scorsese. Part 1: Gentili, Read More …