Femmes Fatale – The ‘Dangerous Woman’ Narrative

Abstract: From as early as his 1982 Billie Jean short film, it has been apparent that Michael Jackson had a distinct fascination with Film Noir, the Classical Hollywood Cinema movement, which was popularized in the post-war era. In this opinion piece, Jan Carlson carries out an in-depth analysis of Read More …

CHAPTER 4 – “THERE IS NO DANGER” SANITIZING BAD AUTHORSHIP

Songs: “Just Good Friends,” “Man in the Mirror,” “Another Part of Me” (Captain EO) At the end of the last chapter, I hypothesized that hegemonic representations of Michael Jackson would generally aver their own authenticity in some way, while counter-hegemonic ones would disrupt any notion Read More …