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“Hold me like the River Jordan.” Remembering Michael Jackson on the twelfth anniversary of 25 June 2009
Abstract: In this article, Kerry Hennigan recounts her personal memories of the day Michael Jackson died and the impact it had on her and many others. She considers the unique nature of the artist and the problems he had in trusting those who envied his fame and success. In reflecting on what has happened in […]
Michael Jackson, Childhood and the Human Need for Understanding
Abstract: In this article, Michael Jackson’s traumatic childhood is examined and analyzed. But its purpose is to help bring awareness of our own childhoods, and how like Jackson, our personality, behaviour and views are shaped by our childhood experiences. Brad Washington is writer for ‘US Today’s Atlanta Falcons wire’ and ‘Fansided’. He also writes for […]
Information Entropy in the Billie Jean and Beat It Vocal Notations
Abstract: This paper examines and calculates the information entropy, as defined by Claude Shannon, in selected songs authored by Michael Jackson, more specifically, their vocal parts. The calculation only takes into account the music, more specifically, its linear notation. The entropies of individual songs are then compared in order to find whether they display similarities. Article […]
“Have you seen my childhood?” – Michael Jackson, James Baldwin and childhoods lost
Abstract: Though they were active in different decades, the famous American author James Baldwin and international music icon Michael Jackson both believed they never had a childhood. This article looks at the similarities in their formative years, which influenced the art they created. Op-Ed Piece by Kerry Hennigan, official columnist of The Journal of Michael Jackson Academic […]
From Throne to Wilderness: Michael Jackson’s ‘Stranger in Moscow’ and the Foucauldian Outlaw
In 1993, a horde of Californian ‘police and prosecutors spent millions of dollars to create a case whose foundation never existed’.1 Their fruitless efforts were to incriminate Michael Jackson, a black artist who was the most commercially successful in the world. Jackson, who was in Russia on his
Dancing with Michael Jackson
"Reeves’s powerful dance reminds us that Jackson achieved more than irresistible, superbly marketable tracks, or even magnificent music. His work also remains politically potent. One reason for that is Jackson’s insistence on responsibility and empathy — who am I to be blind, pretending not to see their need? Another is his work’s constantly reiterated invitation: Come and dance with me. We busy shoppers declined to dance and the loss was ours; but Dimitri Reeves and his neighbors chose, more wisely, to dance with Michael Jackson: to turn it way up, take it to others, refuse self-consciousness and judgement, and rejoice."
Continue readingMichael Jackson, Black Modernisms and ‘The Ecstasy of Communication’
With the permission of esteemed academic, Professor Michele Wallace, we are able to publish this culturally and historically relevant article, written and published in 1989 at the height of Jackson's post-

