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Author Archives: Karin Merx
Call For Papers
Michael Jackson remains one of the most influential artists of the late twentieth century, yet his work has rarely been approached through sustained formal and art-historical analysis. Scholarship has tended to orbit biography, scandal, or cultural defence, leaving the work’s aesthetic intelligence under-examined. This call invites contributions that approach Jackson form-first: as a unified aesthetic […]
Episode 86 – Echoes Without Presence
In this episode, Elizabeth and Karin discuss the recently published essay Karin wrote, Echoes Without Presence: AI, Michael Jackson, and the Crisis of Cultural Authenticity. They discuss specific topics as mimesis, misremembering and disremembering and imagination. Feel free to connect and ask us questions. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 86 – Echoes […]
Echoes Without Presence: AI, Michael Jackson, and the Crisis of Cultural Authenticity
Abstract This essay investigates how artificial intelligence reshapes the legacy of Michael Jackson by analysing the growing proliferation of AI-generated simulations, deepfake vocals, reconstructed short films, and algorithmic “enhancements” through an interdisciplinary lens that combines postmodern semiotics, neuroscience, narratology, and embodied artistic practice. Although Jackson’s creative process was rooted in intuition, bodily intelligence, and whole-brain […]
Episode 85 – Sentenced to Neverland
In this episode, Elizabeth and Karin discuss the essay, Sentenced to Neverland: Michael Jackson, Peter Pan, and Queer Futurity by Amy C. Billone. This essay is published in Michael Jackson: Grasping the Spectacle, edited by Christopher R. Smit. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 85 – Sentenced to Neverland Podcast, Michael Jackson’s Dream Lives […]
Episode 84 – Part 2 Margo Jefferson
In part 2 of our discussion about Margo Jefferson, we discuss articles from the Guardian and her essay in the catalogue of the On the Wall exhibition. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 83 – part 1 – On Michael Jackson” Podcast, Michael Jackson’s Dream Lives On: An Academic Conversation, 12 no. 4 (2025). […]
Episode 83-part 1- On Michael Jackson
In this episode, Elizabeth and Karin review the books written by Margo Jefferson, On Michael Jackson, editions 2007 and 2018. This is part 1 of the discussion; the next one is about articles in The Guardian and the catalogue of the On the Wall exhibition. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 83 – […]
Episode 82 – Gesamtkunstwerk
In Episode 82, our Anniversary episode, Elizabeth and Karin discuss the essay Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium by Sylvia J. Martin. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 82 – Gesamtkunstwerk” Podcast, Michael Jackson’s Dream Lives On: An Academic Conversation, 12 no. 4 (2025). Published electronically […]
Episode 81 The Road To KingVention
In this episode, Karin and Elizabeth talk about their experiences as exhibitors on KingVention ranging from 2016 till 2025. They discuss the first event and how fantastic that was with the big Dangerous Cover, the people they interviewed and remember Nicole, the student who did the course Michael Jackson Studies and who passed away not […]
Episode 80 – The Staging of a Media Trial
In this episode Elizabeth and Karin discuss the essay by Philipp Dominik Keidl where he explores how Michael Jackson fans responded to the sexual abuse allegations made by Wade Robson and James Safechuck in the 2019 documentary Leaving Neverland. The focus is on a phenomenon Keidl terms “forensic fandom,” where fans produce counter-documentaries and online […]
Episode 79 – Consuming Passions
In the second part of the book review Unfinished Business by Judith Hamera, Elizabeth and Karin discuss how Hamera writes about Consuming Passions, Wasted Efforts and Michael Jackson’s Financial Melodramas. One of the important questions they ask is why using Michael Jackson and compare his dancing and financial gains and losses as deindustrialised. They ask […]

